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"Season Song", a song performed by British band Blue States, from their 2002 album Man Mountain, was released as a single, containing a remixed version by Rui da Silva and a "Taxi" ( Ave Maria) remix by Jacknife Lee. A trance remix was also produced by the Irish duo Tucandeo in 2013. It has also been featured in a Strongbow cider advert on British television. The Italian band Eldritch used the song on the first CD of their 2008 live album Livequake as an intro. An unofficial arrangement of it was used in the final scene of the first episode of the anime Highschool of the Dead.
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This iteration was included in one of the game's soundtracks when released for free on the developer's bandcamp site, where it was dubbed "Iffenhaus – In a Heartbeat (John Murphy Homage)". The song was covered by British Death Metal band The Rotted on their album Get Dead Or Die Trying, and indie developer James Silva for the Xbox Live Arcade game The Dishwasher: Vampire Smile, in a Guitar Hero style mini-game segment where the protagonists play guitar solos.
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It was used in tense or large scale moments in Top Gear, The Apprentice and Richard Hammond's Journey To. Here the film lays out another interest, less clearly worked-out than its obvious attention to viruses and horror movie conventions. The BBC used the track in a number of their television programmes in July 2011. It is also featured in a climactic torture and fight scene in 2010's Kick-Ass and throughout the sequel Kick-Ass 2, and in a trailer for the post-apocalyptic videogame Metro 2033 and appeared again in the Metro Exodus trailer, which is another game in the franchise. The track was featured over the climactic confrontation of the film, and recurs in several scenes in the sequel, 28 Weeks Later. "In the House – In a Heartbeat" is an instrumental metal track performed by John Murphy.
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Reception and single releases Professional ratings Review scores "Season Song (Rui da Silva Remix)" (performed by Blue States) "Frank's Death – Soldiers (Requiem in D Minor)" " In Paradisum (Faure's Requiem in D Minor)" "An Ending (Ascent)" (performed by Brian Eno) "Taxi (Ave Maria)" ( Ave Maria performed by Perri Alleyne) "Jim's Parents ( Abide with Me)" (Abide with Me performed by Perri Alleyne) Track listing Īll tracks performed by John Murphy unless otherwise stated. The second movement of " East Hastings" by the Canadian post-rock band Godspeed You! Black Emperor, albeit condensed, appeared in the film but not on the soundtrack album because the rights for the song could not be obtained. It was released in CD format on the 17 June 2003 additionally including tracks from Brian Eno, Grandaddy and Blue States, which also featured in the film. He is currently working on The Peacemaker with James Gunn.Rock, post-rock, alternative rock, ambient, electronica, classicalĢ8 Days Later: The Soundtrack Album is the accompanying soundtrack album and original score composed by John Murphy, for the 2002 film of the same name. His movie trailers include Captain America, X-Men, Cloverfield, War of the Worlds, Ex Machina, and Avatar. His music has been featured in advertising campaigns for Nike, Audi, Microsoft, Google, and Apple.Īfter Kick-Ass Murphy set up the record label Taped Noise and began work on several non-movie projects. Since then he has worked with some of the industry's most respected and luminary filmmakers, including Michael Mann, Danny Boyle, Guy Ritchie, Stephen Frears, and James Gunn, producing film scores as prominent and diverse as Sunshine, Kick-Ass,The Suicide Squad, and the seminal 28 Days Later. In 2001, following the success of Lock Stock and Two Smoking Barrels and Snatch, he moved to Los Angeles. Liverpool born John Murphy began scoring movies at the age of 25. He also tells the story behind his iconic pieces of film music from 28 Days Later and Sunshine (In The House, In a Heartbeat & Adagio in D Minor) that have gone on to be licensed countless times for movies, trailers and advertisements. In this episode, composer John Murphy recounts how an evening at a pub with a friend turned into his first job as composer on a film which led him into a career working with directors like Danny Boyle, Guy Ritchie and Michael Mann.
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